Yeah, but I wonder why? Sure, a Extron DMP with 128 bit DSp processing and 8 channels of balanced in and 12 channels of balanced out would qualify as professional conference equipment. But at a cost of approx 2.8 grand it is cheaper per channel than most audiophile equipment you can find.
The truth is that we sound engineers who use that stuff for work often do not have the luxury of caring for things that don't matter to the process or the outcome.
Professional AV equipment is expensive because it needs to be reliable on top of sounding as if it wasn't there, one of those units described above was running without fault for 15 years 24/7 in a room that was 30°C each summer (and it still works). Meanwhile my brother bought a silver RCA connector that broke off after a year of use — tip stuck in the amp, guess who had to fix it..
The truth is that we sound engineers who use that stuff for work often do not have the luxury of caring for things that don't matter to the process or the outcome.
Professional AV equipment is expensive because it needs to be reliable on top of sounding as if it wasn't there, one of those units described above was running without fault for 15 years 24/7 in a room that was 30°C each summer (and it still works). Meanwhile my brother bought a silver RCA connector that broke off after a year of use — tip stuck in the amp, guess who had to fix it..